Death+and+the+Maiden+and+Streetcar+Named+Desire


 * |||| Death and the Maiden |||| A Streetcar Named Desire ||
 * Author Background |||| Was born in Chile; exiled by Pinochet for being a part of the previous regime. Escaped to America, and returned after the return to democracy.

**Act 3.2: Final closure to the private/political conflict of the Truth Commissions, which were in reference to Dorfman’s personal background and political opinions- ** **- ‘Yes, we’re very pleased with the Final Report of the Commission…People are acting with enormous generosity, without the hint of seeking a personal vendetta.’ ** **- ‘Process of healing ‘ ** **- ‘she had spent thousands of hours petitioning, thousands of hours waiting’ ** ||||  · Elia Kazan: “Everything in his life is in his plays and everything in his plays is in his life”  ·  “At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable < relate to Blanche and her alienation in society  ·  Homosexuality: Puritan: had censorious moral beliefs esp. about sex and pleasure. For the greater part of Williams’ life, homosexuality was still illegal, but tolerated in areas like New Orleans. This explains his reluctance to give prominence to the issue. All homosexual relationships in his plays end in disaster. Perhaps this is his dislike of his sexual inclinations or an intention to placate morality. His Puritan beliefs made him conflicted about his own sexuality as homosexuals were considered degenerates in society. It was also added for a dramatic effect (choosing a guy not girl, otherwise would just be a man cheating on wife). This issue of homosexuality finds its way into all of his plays (though a minor part here)  ·  Felt guilty when his sister Rose was taken away for lobotomy < relate to Stella’s feeling of having betrayed her sister <span style="color: blue; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 0.5in; text-indent: -0.25in;"> · <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt;">Williams moved from the South to New Orleans < mirrors Blanche’s journey, and uses real places which add verisimilitude <span style="color: blue; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 0.5in; text-indent: -0.25in;"> · <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt;">Tennessee Williams was known to have a problem with dipsomania (alcoholism) and drug abuse, to cope with his problems, similar to Blanche <span style="color: #000000; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 0.5in; text-indent: -0.25in;"> · <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Success de scandal (play which owes success due to its scandalous content…homosexuality): when 1st staged, but now a somber serious drama <span style="color: blue; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 0.5in; text-indent: -0.25in;"> · <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> Williams worked at MGM film studio, and so cinematic effects influenced his work (ref. to plastic theatre)  || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">To ask the same questions many Chileans wanted to, but were afraid to ask- "How can those who tortured and those who were tortured coexist in the same land? How to heal a country that has been traumatized by repression if the fear to speak out is still omnipresent everywhere? Is it legitimate to sacrifice the truth to insure peace?" **<span style="font-family: Arial,sans-serif; font-size: 10pt;">Act 3.2: ** **<span style="font-family: Arial,sans-serif; font-size: 10pt;">- ‘Process of healing ‘ ** **<span style="font-family: Arial,sans-serif; font-size: 10pt;">- ‘she had spent thousands of hours petitioning, thousands of hours waiting’ ** |||| * <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Primarily a social play, talking about a society in transition, with the fading gentility of the Old South with the rise of the industrial North (Blanche is unable to adapt to her new surroundings, which is necessary for the survival of her class) > · **<span style="font-family: Arial,sans-serif; font-size: 10pt;">-‘They sit down facing the mirror’- act of self-reflection for the characters as well as audience. ** > **<span style="font-family: Arial,sans-serif; font-size: 10pt;">-‘she had spent thousands of hours petitioning, thousands of hours waiting’ ** |||| * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Realism (in the settings and the characters); contrasts with the unexpected lyricism in dialogue and high drama of the end > Plastic theatre: Williams insisted that theatre make use of all the stage arts, e.g. music, lighting, etc, to generate a theatrical experience greater than Realism
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Purpose of writing (social/political didactic/propagandist etc) |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Catharsis- "to force the spectators to confront those predicaments that, if not brought into the light of day, could lead to their ruin".
 * <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Also a psychological and moral exploration- society dictates what gender roles are, of the individual vs society. Lyrical dialogues show the psychological state of the character
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Title – desire leading to death, moral aspect of the title is quite clear· ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Genre & Type |||| * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Social Realism- It was supposed to be the duty of playwrights, film makers and artists to depict the grim reality of society without any frills.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt; tabstops: list .5in; text-indent: -0.25in;"> · **<span style="font-family: Arial,sans-serif; font-size: 10pt;">Act 3.2: **
 * <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Psychological insight- EXPRESSIONISM (movement talking about the sense of alienation and the questioning of faith following the First World War) ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Time & Place written |||| <span style="display: block; font-family: 'Arial','sans-serif'; font-size: 10pt; text-align: center;">1990 |||| <span style="display: block; font-family: 'Arial','sans-serif'; font-size: 10pt; text-align: center;">Finished in 1947. Tenessese William wrote the play with the intention of adapting it into a movie screenplay  ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Setting (Time) |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Unity of time maintained (all events take place in one day) until 3.2, which takes place 'some months later'.

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">**<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">Social background ** <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">PAULINA: “//I read the other day, now that the military is not in charge anymore, that the university has begun to allow students who were kicked out to apply for re-admittance”// (Act 1.4, page 20) |||| * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">May to September (duration of play covers 5 months); therefore he disregards the unity of time; 1st 6 scenes are set in May, and set the calamities that will follow > 2nd section: scenes 7 to 10 – all take place in 1 day; calamities take place > 3rd part: scene 11 = a few weeks later, shows the outcome of the events <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 0.5in; text-indent: -0.25in;"> · <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> Williams chose the location of Stella’s house in the Elysian Fields primarily because of the ironic mythological associations of its name: the tiny, dingy Kowalski apartment seems the antithesis of the Greek paradise of heroes. El ysian Fields was the place of rest and solace for the Greek heroes, but Blanche gets anything but that <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 0.5in; text-indent: -0.25in;"> · <span style="color: #365f91; font-family: 'Arial','sans-serif'; font-size: 10pt;">Journey that Blanche takes to reach the Elysian Fields is to transfer at Cemeteries and then take the Streetcar Named Desire- is the trajectory of her life. Her desires have led her to an emotional graveyard. <span style="color: #000000; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 0.5in; text-indent: -0.25in;"> · <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">The opening scene prepares us for Blanche’s entry: the tender blue sky adds ‘lyricism and gracefully attenuates the atmosphere of decay’. Blanche’s genteel manner of dressing stands out in the dilapidated neighbourhood. <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 0.5in; text-indent: -0.25in;"> · <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt;">Interiors and exteriors, .e.g before the rape scene, the drunkard and the prostitute out on the streets are mentioned to set the tone of moral corruption and violence, everybody has to fend for themselves in this hostile environment || Ø <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Blanche’s Chair on the Moon, lyrical idea of distance from reality, and can be connected to the song she sings about the paper moon Ø <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">The Poker Night, ref. to Scenes III and XI, the important scenes in the play, and the original form of the play < also shows Stanley’s transition; he was losing in the first game, and winning in the second. Game motif Ø <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">The Primary Colours, the poker players wear clothes in primary colours; also refers to the unpolished and primal nature of the men, contrasted with the delicate, faded colours of Blanche (though Blanche sometimes wear blue and red) <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%; margin: 0in 0in 0pt 0.5in; text-indent: -0.25in;">Streetcar Named Desire: “They told me to take a streetcar named desire then transfer to one called Cemetries to get off at the Elysian fields” Desire is what causes her downfall and hence the title is highly relevant. Desire leads to death of her innocence (She arrives at the cemeteries) ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Unity of place maintained
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Unity of action maintained ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Setting (Place) |||| **<span style="font-family: 'Times New Roman',serif; font-size: 10pt; line-height: 115%;">The Escobar’s beach house till 3.2 which takes place in a concert hall. ** |||| <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 0.5in; text-indent: -0.25in;"> · <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"> 'In New Orleans I found the kind of freedom that I always wanted” - ﻿﻿ Williams stayed in New Orleans and hence, included the places he used to frequent like the Galatoire’s. “cosmopolitan’ society underscores an important theme of the play- fading South and the rise of the immigrants
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Relevance of Title(s) |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">PAULINA: “//What if we listen to some Schubert while I make breakfast, a nice breakfast, Doctor? Death and the Maiden?”// (Act 1.4, page 20)   ||||  Ø <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">The Moth, obviously a ref. to Blanche, when moths get too close to the light, they die. The moth is fragile and leaves dust wherever it goes, the symbol of Blanche, with her fading beauty
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Characters (Protagonist,Antagonist, foil, minor characters etc) |||| Gerardo:“my god im also human” pg 53

Paulina: “ and why does it always have to be people like me who have to sacrifice?” pg 66

Paulina: “all my life, ive always been much too obedient” pg 58

Paulina: “Wouldn’t you say im old enough?” pg 62 - Paulina is babied by Gerardo, constant lack of trust in their relationship |||| * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Blanche is the principal character, but cannot be called the protagonist, because of her moral ambiguity; at different points in the play, the audience views her differently (remains centre of attention through course of play = unity of action is maintained…she is hardly ever offstage, or atleast heard signing of stage; at no point of the play is her presence not felt…when she is on stage she monopolies everyone’s attention….every scene ends with her centre stage, commanding her attention, with a arresting phrase or dramatic gesture) > Pablo and Negro Woman: To highlight multi-ethnic society of N. O.Eunice and Steve: Violence is normal in Elysian Fields; crudeness + when E doesn’t call the police, Stella says “that’s much more practical’ = shows her over adaptability || · Starts and ends in the same way **<span style="font-family: Calibri,sans-serif; font-size: 10pt; line-height: 115%;">Act 3.2- ‘Maybe we could have a couple of drinks at home. Pau mixes a margarita that’ll stand your hair on end’. ** - Hence showing the reader how the relationship between Gerardo and Paulina has remained unchanged, his priorities are still the truth commission over her. It also reminds us that she is still as isolated as before. Equilibrium (relationship of Gerardo and Paulina) -> Disequilibrium (Roberto enters – reminder of the past she has been trying to forget) -> New equilibrium (Gerardo and Paulina still have a strained relationship) **<span style="font-family: Calibri,sans-serif; font-size: 10pt; line-height: 115%;">Act 3.2- ‘He could be real or he could be an illusion in Paulina’s head’. ** · Victim becomes the victimizer – A change in the gender roles, Paulina’s actions control how the plot advances in the play. **<span style="font-family: Calibri,sans-serif; font-size: 10pt; line-height: 115%;">However, in Act 3.2, there is minimal exchange of dialogue and action for Paulina’s character. ** **<span style="font-family: Calibri,sans-serif; font-size: 10pt; line-height: 115%;">-‘Gerardo begins to applaud and we can hear the applause growing from what is an invisible public. Paulina does not applaud.’ ** **<span style="font-family: Calibri,sans-serif; font-size: 10pt; line-height: 115%;">- ‘Paulina slowly leaves him…’ ** **<span style="font-family: Calibri,sans-serif; font-size: 10pt; line-height: 115%;">- ‘Gerardo looks at Paulina, who looks forward’. ** |||| · <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">Poker night: shows Stan’s dominance. ( Scenes 3 and 11) · <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt;">Scenes 6 and 9; similar situations, the same characters, different outcomes. · <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt;">Dramatic hooks, starts in media res? · <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt;">Episodic structure: each scene has a specific incident which seems to be resolved but actually isn’t, having a larger bearing on the course of events. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">The effect in each case is that of the ending of a playlet (a tiny play), with the players motionless in a tableau vivant (living picture). This concept of a series of 1 act playlets is reinforced by the element of repetition in the play (action, dialogue, poker scene twice, lurid scenes in the background, use of symbols, motifs ...repetition binds the play together). · <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt;">Equilibrium (Stan/Stella relationship) -> disequilibrium -> new equilibrium. (Todorov) · <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt;">Written almost as screenplay; Tennessee Williams wrote it with a cinema adaptation in mind. ||
 * <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Stella becomes the lens through which we view Stanley/Blanche; determining where the audience’s sympathies lie.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Minor characters:
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Structure of the Play |||| Structure of the play:
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Music/ Sound Effects/ Songs |||| <span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Recurring motif of Schubert's 'Death and the Maiden quartet' - perversion of beauty into horror.

<span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Noises of passing cars, trucks; heightens the feeling of isolation.

<span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">**<span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: 115%;">Act 3.2- ‘The lights go down while the music plays and plays and plays.’ ** |||| * <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt;">Blue piano: the blues, melancholy. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">< relates to the setting of New Orleans (the birthplace of jazz) > > Hot trumpet and drums (eg: end of rape scene); jungle noises indicate wild animal desire. > > Polka music/Varsouviana <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt;">(the polka is from Europe which connotes old money, classical things, etc. the dying old order. Blanche claims she is of French extraction. More structured than the blues) <span style="font-family: 'Arial','sans-serif'; font-size: 10pt;">: Played before Blanche’s flashbacks, a haunting reminder of the past; heard only by Blanche; signals crucial moments of the plot; was playing when husband shot himself; it fades out, as described in didascalia when she believes there is a chance with Mitch (when he kisses her in scene 6, when he comes to see her in scene 9: “you’ve stopped the polka tune that I had caught in my head"); rises up again when she knows there is no hope with him. + distant revolver shot that silences it – guilty memories of her husband. > > <span style="font-family: Arial,sans-serif; font-size: 10pt;">B’s singing in bathtub in scene 7: sentimental love songs contrasts shocking truth revealed onstage + builds tension. Blanche’s singing: poignant, almost innocent. Insecurity; need for love/care. No one believes in her. Retreats into her idealized fantasy when cannot deal with reality. Pg. 98 (scene 7) [Blanche is singing in the bathroom a saccharine popular ballad which is used contrapuntally with Stanley’s speech] - highlights the contrast between Stanley's and Blanche's personalities. Each other's foils. Stanley wreaks Blanche’s destruction, drives her to insanity. > > Roar of locomotives: scenes 4,6 and 10 = atmosphere + enables Stan to eavesdrop in scene 4 (dramatic purpose). <span style="color: blue; font-family: Arial,sans-serif; font-size: 10pt;">ref. Symbols. > <span style="color: black; font-family: Arial,sans-serif; font-size: 10pt;">Use of music and sound effects – a technique learnt from cinema (Williams grew up in the 20s and 30s, the golden age of Hollywood cinema, and was the film critic of his highschool magazine, paying close attention to the flim he was viewing and consciously or unconsciously absorbing the techniques used. > > · The musical symbols appreciated more keenly by the theatre audience – readers at a disadvantage as stage directions can never have the same dramatic impact as the music starting up on stage (can talk about this point while taking about musical symbols or didascalia). <span style="color: blue; font-family: Arial,sans-serif; font-size: 10pt;">Ref. Plastic theatre > ||
 * <span style="font-family: Arial,sans-serif; font-size: 10pt;">Sometimes suggests raw emotions, unrestrained physical pleasure, animal strength and virility. It appears at significant parts of the play, playing near the start; at end of scene 2 and 3, before she kisses the young man. pg. 105: [The distant piano goes into a hectic breakdown.] – acceleration of the plot towards climax; mirrors the characters’ state of mind – When Stan reveals B’s secrets to Stella, before the climactic rape scene.
 * <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">The song of the Mexican woman: ‘Flores, flores, flores para los muertos’ (flowers for the dead) -> death comes to Blanche’s doorstep, but she denies it – ‘Not now, not now’
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Lighting |||| <span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Dark and light; natural evening lighting, moonlight (peaceful, serene) and artificial headlights (shocks, shatters the serenity -> warning, tension).

<span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;"><span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">artificial headlights (shocks, shatters the serenity -> warning, tension). //<span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">“A cloud passes over the moon” //<span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">(Act 1.3, page 18) à <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;"> foreshadows the unpleasant event Roberto being tied up and gagged by Paulina. //<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">“By the light of the moon she can be seen going to the drawer and taking out the gun” // <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;"> (Act 1.3, page 19) à <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;"> Contrast created between the serenity of the moonlight and the violence of the gun. <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%; margin: 0in 0in 0pt;">ACT 1.3 <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">The entire act is only stage directions, almost making it seem like a narrative. The absence of dialogue heightens the tension in the scene. It also lays emphasis on the actions of Paulina Escobar. Her actions reveal her character, she works behind the lights, which signifies her suppressed personality, however her final actions and the “brutal shot of light” is significant of the point where she steps out of the shadows and tries to overcome her suppression. The lack of natural light in this moment along with the usage of “brutal” and artificial light emphasizes the harshness of the situation. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">The scene ends in darkness. This further highlights the harshness of the situation and foreshadows Roberto’s trial. |||| * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">During poker night, Blanche stands “in the light through the portieres – such behavior is instinctive around men (light/desire leads to moth/her downfall) + her last attempt for salvation by enticing Mitch. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· Scene 10 and 11: lurid reflections appear on the wall around Blanche (her terror takes a visible form + we see her in the light now that her pretences are destroyed + builds tension) + “night is filled with inhuman voices likes cries in a jungle” (represent confusion and terror in her mind). > <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">· Note: lurid reflections appear again in last scene, when B hears Stan’s voice (remind of nightmarish rape <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">* red dress; first triumph, then 'tragic radiance' - the red of a scarlet woman.
 * <span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; margin: 0in 0in 0pt;">Blanche’s aversion to the naked light bulb (exposes her as the light of truth would expose the reality; her true colours). " I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action." pg. 55
 * <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">The paper lantern. Ref. Symbols
 * <span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; margin: 0in 0in 0pt;">‘coloured lights’ – Stanley/Stella – sexuality? ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Costumes/Clothes |||| <span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Paulina stuffs her underwear into Roberto’s mouth; crude sexuality, violence. |||| * <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 10pt;">Blanche's entrance at the start of the play: ’white suit, white gloves and white hat’. Dressed as a Southern belle but on closer inspection there is something ‘uncertain about her manner… suggests of a moth’. Shows signs of decay and her fragility

> > Dellia Robbia blue - Madonna blue - Madonna-whore complex highlighted by her clothes. > > Mostly wears white, indicating her fragility (like a moth) and seeming purity. > > Stanley's working class clothes (or lack thereof) -> sexuality, animal bestiality. Mitch's cheap working man's coat. -> class difference between these men (new America, the American Dream) and Blanche (aristocracy, almost fin de siècle decay). ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Props |||| <span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Cassette recorder - keeper of the truth, and of Paulina's evidence against Roberto.

<span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Gun - outright violence.

<span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Rope and chair - inversion power from Roberto to Paulina.

<span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Lamp - artificial lighting (versus the natural moonlight).

<span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">**<span style="font-family: Arial,sans-serif; font-size: 10pt; line-height: 115%;">Mirror -‘They sit down facing the mirror’- act of self-reflection for the characters as well as audience. ** |||| * <span style="color: black; font-family: Arial,sans-serif; font-size: 10pt; margin: 0in 0in 0pt;">Alcohol bottle appears in almost every scene -> intoxication, escapism, Blanche's unwillingness to come to terms with reality, living in her own 'magic' world. > > Broken bottle - response to threat - Blanche uses the alcohol bottle as her defence against Stanley (the brutality of the hard real world that she can't stand). Signifies that her means of escape is her only means of defence. Represents violence. > > Heart-shaped box of accessories - her heart lies in that box; physical appearances/ornamentation/false costume jewellery -> generally artificial things are her only path to love. || · Schubert’s Quartet: reminder of Paulina’s painful past, representative for the sexual relationship between Roberto and Paulina. · The horrific memory conflicts the nature of the beautiful classical music. · Cassette recorder – · is symbolic for the Paulina’s past being played again, but this time she controls when it can be stopped, fast-forwarded or paused. · This analogy is useful in understanding the structure of the play, as the reader is taken back and forth in her life. Revolver – · Shows Paulina’s violent character and her intentions towards Roberto. · It also shows a change in the stereotypical man/woman gender roles, as Paulina has become empowered, while Roberto is now the victim. · Lighting (refer to notes above) · The lighting throughout the play is dim, usually moonlight. · This adds to the sinister atmosphere of the house, and is contrasted with the artificial light Gerardo switches on each time. · His action is symbolic for his job at the truth commission, which attempts to shed light on the victims of the dictatorship; however it is ironic as he fails to do so in the case of his own wife. Rope – · Suggests the idea of being tied and trapped. · It represents Paulina’s struggle to come out of her past and also her physical memory of being bound and tortured. · It restricts the physical movement of the characters, hence forcing the audience, like Paulina forces Roberto, to be focused on her. |||| * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Belle Reve: symbol of class superiority (imp: B’s transition from B.R. to the cheap hotel Tarantula and finally to Stan’s small apartment symbolic of her descent in the social ladder [ ‘I pulled you down from those columns and how you loved it’; ‘Maybe he’s what we need to mix with our blood now that we have lost B.R. and have to go without B.R. to protect us’] > o Flowers (the ones the blind Mexican woman was selling) = reminder of death > || > B: “I was on the verge of – lunacy almost” (is thought to be 1 later) > B: “oh, you do have a bathroom”: nasty joke. Ironic that she is criticizing Stella’s house (and sees her as lower in social order) when she herself is homeless. > Stella: “liquor goes fast in hot weather (actually Blanche had it) > B: ‘you must have lots of banging around in the army’ (ironic cos she bangs soldiers > B’s sign is Virgo the Virgin. > <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Stella’s disbelief of rape proves an ironic coda; she, rather than B, is the one in need of support > Twist at the end: B is forced to confront reality (quiet dignity in her final exit), Stan is a liar (lies he never raped her), Stella chooses to believe his lies (lives in an illusion). || > B’s hysteria casts a doubt on her sanity later on. > B: ‘I won’t hang around until he throws me out’: foreshadows Stan gets rid of her. > <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">B: ‘I have got to be good and keep my hands of children’ (after kissing young man/paper boy): foreshadows dirty secret of her having seduced 17-year old being revealed. || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· “A woman’s charm is fifty percent illusion” <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· she does not want realism, she wants magic. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· This means that she seeks to manipulate reality until it appears to be what Blanche thinks it ought to be. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· Alcohol is a means of escapism: no1 knows how much she drinks <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· White clothes: appears to be pure but is actually little more than a whore (contrasted with the red satin robe) <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· The magnificent aura of Belle Reve creates a sense of sophistication. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· B’s vanity “I want you too look at my figure” (physical manifestation of this theme); lies about age to Mitch. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· B’s hypocrisy about alcoholism and other stuff; “you know how indifferent I (Blanche) am to money”; alcoholism also shows need to escape reality (“she is drinking to escape it and the sense of disaster closing in on her”; social comment on alcoholism) <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· She can’t accept reality and stays out of the light <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· B stays out of the light “I cant stand a naked light bulb” <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· “I like it dark, the dark is comforting to me” <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· She pretends to not be a seductress; B to M: ‘I guess you are used to girls who like to be lost’; shows true colors to audience thoh, when M cant understand french <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· B constantly wants to escape into her illusionary word ‘we are going to pretend we are sitting in a little artist’s café on the left bank in paris’; “je suis la dame aux Camellias (resorts to play acting as she cant face reality) <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· Stan sees through B’s games “not once did you pull the wool over this boy’s eyes!...cover the light with a paper lantern and beyold, you’re the queen of the nile!” <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· Last line of play: ‘the game is 7 card stud” = symbolic of deception and bullying that went on. Being the last line, it emphasizes that it’s the most imp. theme <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· Stella is an intermediate to Stan and B <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">-Through the private trial she takes on the role traditionally associated with that of a man's, and her harsh, abrasive language ("cunt" and "beats drinking your own piss") is matched by her violent actions - use of the 'gun' as a prop.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Symbols and Motifs |||| Music –
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Bathing: cleanse her of her guilt (husband’s death), dirty past and rape (in scene 10)
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Spilt coke of B’s skirt = stained reputation or spilt blood of husband
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Blanche’s red satin robe = biblical allusion to scarlet woman
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Alcoholism: B’s hypocrisy; emphasizes difference between B and Stan (B drinks alone, Stan drinks in groups), brings out Stan’s primal behavior)
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Rhinestone tiara = shows appearance vs reality\
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Paper Lantern = B’s refusal to face reality, B deceives others and wants ‘magic’ + moth being attracted to the light. When Mitch rips of the lantern (with the same sort of violence that foreshadows rape) + she is exposed
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Scene 10 uses expressionistic menacing shapes inside the apartment and scenes of violence outside reflects B’s terror.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Comic books = reminder to B that she has entered a world where comic books and not literature is read.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Van Gogh’s painting of a billiard-parlor at night (primal colors matched by primal colors worn by men) = highlights their primitive nature; “as coarse and direct and powerful as the primary colours”(this + red watermelon rinds set scene for poker night and have same connotations
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Street Car – highly symbolic for desire (as mentioned in title)…desire = sin; cemeteries = death….didactic message is clear. Using as a form of euphemism (scene 4: riding the street car)
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Irony ||||  |||| * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">B: “I am not going to be hypocritical (Scene 1, when expressing shock at Stella’s condition)”
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Foreshadowing |||| Paulina: “irreparable.” Pg 55 |||| * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">In scene 10, Stan “peers in at B, and gives a low whistle. All of this is emphasized by “we’ve had this date from the beginning (his last lines before raping her)
 * <span style="color: blue; font-family: 'Arial','sans-serif'; font-size: 10pt; margin: 0in 0in 0pt;">Scene 4: Stella chooses Stan over Blanche. -> comes true in Scene 11.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Deceptive Appearances |||| Gerardo: “im in your hands like a baby, I’ve got no defenses” pg 56 |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt 1in; text-indent: -0.25in;">· Blanche is sufficiently self-aware to know that she cannot survive in the world as it is. Reality is too harsh, so she must somehow create illusions that will allow her to maintain her delicate, fragile hold on life.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 10pt;">“I tried to gloss things over in my letter
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 10pt;">Justifies Stan’s behavior to self (‘people have to tolerate each other’s habits, I guess” ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Gender Roles and Reversal of Gender Roles |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Paulina is supposed to essay the role of a dutiful wife however she is seen mocking it through the course of Roberto's private trial.

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;"><span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">Stage direction - “//[Paulina] imitating the voice of Roberto, then of a man”// //<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">PAULINA: “when are you going to stop telling me what I can and can’t do” // <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">(Act 1.4, page 24) |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">· Stanley sees himself as superior coz he’s a man “every man is a king. And I am the king around here, so don’t you fogret it” [also a reminder that he is of working class + shows women are expected to be submissive] <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">· Women not allowed to join poker game + “poker should not be played in a house with women” <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">· Blanche: ‘they say the lady must entertain the gentleman – or no dice’ <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">· Female dichotomy: <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">o Stella is dutiful wife who cooks for him (“what about my supper”, cleans his messes…) <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">o Blanche is the whore || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">- More than Paulina, he gives importance to his role as a lawyer and seems insensitive towards her past suffering; this disloyalty indicates an emergence of a past struggle |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">· Blanche’s need to hide the truth about her past <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">· Association with Hotel Flamingo <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">· Keeps trying to portray herself as a very sophisticated and cultured woman. She is ashamed of herself, but is trying hard to prove that she is ‘clean’ (link to bathing) to herself <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">· Stanley had a conflict with Blanche since the start of the play (Belle Reve papers…). Stanley was further annoyed by Blanche’s interference in his life, Stella’s changing attitude, vanishing alcohol and Blanche’s derogatory remarks about him. Hence, he uses Blanche’s poor reputation in Laurel in order to try and turn Stella against Blanche. We can see that reputaion becomes Stanley’s means of resolving his conflict with Blanche. When that doesn’t work…he rapes her to break her spirit. || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">She can no longer derive joy from her beloved Schubert music, and also is now constantly haunted by it, imagining meeting her perpetrator and shoving his head into a bucket of shit, etc.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Reputation |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">- Gerardo seems extremely concerned of his reputation upon being assigned on the Truth Commission.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Death of Innocence |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Not much death of innocence, but perhaps there is death of Paulina's spirit post the events of her kidnapping.

Paulina: “Im not going to kill you because you are guilty doctor, but because you haven’t repented at all” pg 65

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Paulina's complete faith and trust in Gerardo is also dead, as she is continually skeptical and disbelieving of things he says. This is apparent in her initial accusations in the play that he was with another woman; "Sexy? Was she sexy at least?" and also knowing that Gerardo had already accepted the position on the Truth Commission without consulting <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">her. |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">· The flower seller represents the death at Blanche's door; She cries, "Not now!" <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">· Polka and gun shot

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Idea of Blanche being what she is now due to men around her. This is implied when Stella says to Stanley "you didn’t know Blanche as a girl. Nobody, nobody, was tender and trusting as she was. But people like you abused her, and forced her to change". <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">This idea is furthered by certain aspects of Blanche being portrayed as rather child-like, such as her "frolicking in the tub", emphasizing the traces of innocence that still reside within her, increasing audience sympathy for her as what is being discussed at this very moment by Stanley and Stella is her impure past.

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">The death of Blanche's beauty and her identity as a 'Southern Belle' with her loss of 'Belle Reve'. Taking this further, Belle Reve meaning beautiful dream, this could also signify the death of her previous dream-like existence.

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Her beauty is decaying and fading, which links in with the moth imagery. The end of her youth also implies no further hopes of a stable life for Blanche. ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Violence and suppresion || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Paulina's motion of stuffing her underwear into Roberto's mouth shows the way in which she now has the power to sexually dominate him.

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">//<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">“She [Paulina] takes off her panties, stuffs it into Roberto’s mouth.” //<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;"> (Act 1.3, page 19) <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">Very harsh imagery, the panties make it more sexual and vulgar, adding to the violence. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">The use of bondage (tying up of Roberto) signals his being stripped of his rights.

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">The violent motif of the gun symbolizes the power that now rests in Paulina's hands to suppress the two men in the house who each suppressed her in their own way; Roberto by torturing and raping her, and Gerardo by not letting her speak freely of it.

Paulina: “Do not invoke God doctor, when you are so close to finding out whether he exists or not.” Pg 64 - evidence of violence and dark humor

Gerardo: “people can die from an excessive dose of the truth” pg 55

Roberto: “They like it doctor, all these bitches like it and if you put on that sweet little music of yours they’ll get even cozier” pg 60

Roberto: “my role was to determined whether the prisoners could take that much torture, that much electric current”, “the virtue I was feeling turned into excitement” pg 59 |||| * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 10pt; tabstops: list .5in;">Throwing the radio out of the window <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">These two acts of violence shock Blanche, who is not used to violence…she reacts by calling Stanley an animal
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 10pt; tabstops: list .5in;">Striking Stella

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">As Stella tries to tell Stanley to end the poker game, Stanley subdues her with a smack across the thighs. He only knows how to use force to make his point. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Shows how violence is normal in the EF <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Result of building tension and Stanley’s annoyance at Blanche’s influence on Stella <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Climax…final act of violence that breaks Blanche’s spirit and also puts an end to stay at the EF  · <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt;">Character transition – Paulina from insecure and timid to fierce and powerful. · <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt;">Through setting- Moonlight to blasting car lights. Sounds of the sea to car brakes. · <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt;">New order established in the last scene- lack of sharp dialogues, action, fast pace to details about setting, vivid stage directions. ||||  ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 10pt; tabstops: list .5in;">Eunice-Steve fight
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 10pt; tabstops: list .5in;">Clearing the table
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 10pt; tabstops: list .5in;">Blanche’s rape
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 10pt; tabstops: list .5in;">Violence taking place in the background offstage – lurid reflections that appear in scenes 10 and 11 are violent as well ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Conflict 1: Old Order v/s the new order || · <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt;">Becomes significant, especially in context of the characters- from a point of equilibrium, there is a transition into disequilibrium and then a ‘new equilibrium’ as the character of Dr Roberto Miranda is introduced.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Conflict 2: Past impinging on the present || Gerardo: “lets finish that conversation from years ago, lets close this book for once and for all and never speak about it again, never again, never again” pg 54 c.r domestic relationships and conflicts ||||  ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Conflict 3: Power Struggle || Paulina: “he always thinks he’s more intelligent than everybody else” pg 64 ||||  ||
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Conflict 4: Inner conflict public appearance versus private thoughts and relationships || A giant mirror which descends, forcing the members of the audience to look at themselves” pg 66 - audience is forced to introspect

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">PAULINA//: “Gerardo has all these social events he’s got to attend and if they ever name him minister we’re going to live running around shaking hands and smiling at perfect strangers//” (Act 1.4, page 21)   ||||   || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">1) His sleeping with another woman Paulina: “that bitch came out of your bedroom half naked” pg 52
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Betrayals || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Gerardo's two betrayals of Paulina:

Paulina:”while I defended your life, while your name stayed inside me and never left my mouth-“ pg 54

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">2) His betraying her trust in choosing to help Roberto Paulina: “small lies, small variations, that I inserted in my story to Gerardo, and you corrected most of them” pg 65 |||| <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Stanley betrays Stella by raping her sister

<span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Stella betrays Blanche by closing her eyes to the truth of her husband raping Blanche and choosing a life with Stanley over her sister's well being, condemning her to a life in an asylum. || <span style="color: #365f91; font-family: Arial,sans-serif; font-size: 10pt; line-height: 115%;">First meeting between the sisters- Blanche is overwrought as is evident by the exclamatory sentences || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">Remembers the smallest details. Hangs on to the past. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">PAULINA: “It’s his voice. I recognized it as soon as he came in here last night. The way he laughs. Certain phrases he uses” (Act 1.4, page 23) <span style="color: black; font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">“It may be a teensy-weensy thing, but it’s enough for me. During all these years not an hour has passed that I haven’t heard it, that same voice, next to me, next to my ear, that voice mixed with saliva, you think I’d forget a voice like this?” (Act 1.4, page 23) ||   ||   || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">Paulina wants justice, has promised herself justice. Taken it into her hands. <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">“We’re going to put him on trial, Gerardo, this doctor. Right here. Today” ( Act 1.4, page 26)   ||   ||   ||
 * Dialogue Delivery ||  ||   || B<span style="font-family: Arial,sans-serif; font-size: 10pt;">lanche’s speech is disjointed with all the hyphens at the start of the play to show her disorientation and disillusionment. She hoped to find love and comfort with her sister but the rundown streets of New Orleans horrify her.
 * <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: normal; margin: 0in 0in 0pt;">Conflicts in Domestic Relationships ||  ||||   ||
 * Obsession with the past || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">PAULINA: //“Now you like- let’s see, ham sandwiches, wasn’t it?”// (Act 1.4, page 20)
 * Justice || <span style="font-family: 'Arial','sans-serif'; font-size: 10pt; line-height: 115%;">PAULINA: //“But I always promised myself a time would come to recover him”//  (Act 1.4, page 21)